Pontes entre madeira e o Brasil no domínio musical: ecos nos periódicos madeirenses (1854-1977)

Authors

  • Paulo Esteireiro Universidade Nova de Lisboa

Abstract

A presença da música brasileira foi constante nos periódicos madeirenses entre a segunda metade do século XIX e a primeira do século seguinte, tanto pela música em si, quanto pelas referências e imagens evocadas.

Downloads

Download data is not yet available.

Downloads

Published

2017-08-26

How to Cite

Esteireiro, P. (2017). Pontes entre madeira e o Brasil no domínio musical: ecos nos periódicos madeirenses (1854-1977). Converência Lusíada, 24(29), 39. Retrieved from https://convergencia.emnuvens.com.br/rcl/article/view/183

Issue

Vol. 24 No. 29 (2013): Colóquio: Portugal no Brasil, Pontes para o Presente

Section

DOSSIÊ COLÓQUIO: PORTUGAL NO BRASIL, PONTES PARA O PRESENTE

License

Authors who publish in Convergência Lusíada agree with the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC-BY-NC 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors may enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.

Licença Creative Commons
Revista Convergência Lusíada is licensed under a Creative Commons - Atribuição-NãoComercial 4.0 Internacional.