Dizer o sentimento alheio: sobre a profissão do “escrivão de cartas”
Abstract
A figura do “escrivão de cartas” — sua representação estética e seu papel social e histórico — é o foco de interesse deste artigo, que relaciona o filme Central do Brasil,de Walter Salles (1998), a um auto quinhentista de autor desconhecido – Auto dos Escrivães do Pelourinho.Downloads
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Published
2017-08-26
How to Cite
Coelho Muniz, M. R. (2017). Dizer o sentimento alheio: sobre a profissão do “escrivão de cartas”. Converência Lusíada, 24(29), 95. Retrieved from https://convergencia.emnuvens.com.br/rcl/article/view/187
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Section
DOSSIÊ COLÓQUIO: PORTUGAL NO BRASIL, PONTES PARA O PRESENTE
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