O Modernismo interdisciplinar do Brasil
Abstract
O artigo levanta a hipótese de que o Modernismo brasileiro teve um caráter interdisciplinar. Para tanto, considera o perfil de Mário de Andrade e Oswald de Andrade, líderes do movimento, que eram literatos, poetas, teóricos, críticos e polemistas; aponta a comunicação entre as artes plásticas e a literatura em momentos capitais do Modernismo; mostra a interdisciplinaridade dos eventos da Semana de 22; identifica a estrutura musical de Macunaíma, obra-prima de Mário; e explora a relação entre estética e política na forma dos manifestos. Por fim, sugere que essa interdisciplinaridade foi um legado do Modernismo.Downloads
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Published
2017-05-19
How to Cite
Duarte, P. (2017). O Modernismo interdisciplinar do Brasil. Converência Lusíada, 26(34). Retrieved from https://convergencia.emnuvens.com.br/rcl/article/view/29
Issue
Section
DOSSIÊ: LITERATURA E INTERDISCIPLINARIDADE
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