Elitism for the people: Cesario Verde and the anti-bourgeois aesthetic
DOI:
https://doi.org/10.37508/rcl.2020.n44a416Keywords:
lyric, cultural memory, democracy, anti-bourgeois aestheticsAbstract
A reading of one the most intriguing poems of Cesario Verde, this essay analyses the way “Humilhações” tries to cope with the challenge imposed by the centrifugal and disruptive nature of modern experience, taking as a first frame of reference the “nouveau frisson” inaugurated by Baudelaire’s Fleurs du mal. At the same time, by discussing in deep the violent shift of tone and speed of the last two stanzas — when the narrator leaves the theater just to recognize himself in the middle of a public riot — one intends to show, on the one side, how, throughout the whole poem, a commitment to give face and voice to the new political actors goes hand in hand with a deep concern and respect for the opacity and open-endeness of this predicament, and, on the other, which are the formal strategies conceived in order to fulfill this bet.
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References
ALMEIDA, Guilherme de. Flores das “Flores do mal” de Baudelaire. São Paulo: Editora 34, 2010.
CRARY, Jonathan. Suspensions of perception. Cambridge: MIT Press, 2015.
HAMBURGER, Michael. A verdade da poesia. São Paulo: Cosac Naify, 2007.
OEHLER, Dolf. Quadros parisienses. São Paulo: Companhia das Letras, 1997.
SCHWARZ, Roberto. Um mestre na periferia do capitalismo. São Paulo: Duas Cidades, 1989.
SISCAR, Marcos. Poesia e crise. Campinas: Editora da Unicamp, 2010.
VERDE, Cesário. O livro de Cesário Verde. Porto Alegre: L&PM, 2008.
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