Two modes of narrating the criminal child in twentieth-century Brazilian literature: Jorge Amado and Murilo Rubião
DOI:
https://doi.org/10.37508/rcl.2022.n47a478Keywords:
Gothic, narrator, Jorge Amado, Murilo Rubião, childrenAbstract
Based on critical works such as those by Steven Bruhm (2006) and Robin Wood, this article reflects on the relations between childhood and crime in twentieth-century pieces that are tributary of negative poetic traditions. Our starting point was the hypothesis that there are two preponderant narrative modes: (i) denouncing narrators, who draw attention to child monstrosity as a consequence of social issues; and (ii) impassive narrators, who, by not offering explicit justifications for child criminality, tend to present it as inherent and insolvable. To illustrate these premises, we turned to the novel Capitães da Areia (1937), by Jorge Amado, and to the short story “A Casa do Girassol Vermelho” (1947), by Murilo Rubião.
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