Empire-minute: (im)pacts of memory in A noite das mulheres cantoras, by Lídia Jorge
DOI:
https://doi.org/10.37508/rcl.2022.n48a502Keywords:
Lídia Jorge, Choreographed memory, Female characters, Symbolic violence, SilencesAbstract
This paper focuses on the work A noite das mulheres cantoras (2011), by the Portuguese writer Lídia Jorge. In the novel, we follow the story of a group of five female singers in their search for stardom. Meanwhile, a narrator returned from Africa, fractured, and haunted by traumas from her own past, stands out. For Maria Graciete Besse (2013, p. 126, our translation), Lídia Jorge’s gaze “rescues from the silence the porous outlines of strangeness and difference”. With this in mind, we are interested in reflecting on the pacts of silence and the symbolic violence present in the narrative, as well as its impacts on the development of the female characters. Finally, it is important for us to investigate in which ways the structure of the narrative acts as a metaphor for the fragmentation of the narrator’s memory and, why not, from the past itself.
Downloads
References
BESSE, Maria Graciete. Memória, empoderamento e ética na obra de Lídia Jorge. Revista Abril – NEPA / UFF, v. 5, n. 11, p. 117-134, 30 nov. 2013. Disponível em: https://periodicos.uff.br/revistaabril/article/view/29665/17206. Acesso em: 21 set. 2022. DOI: https://doi.org/10.22409/abriluff.v5i11.29665
BOURDIEU, Pierre. A dominação masculina. 2ª Ed. Rio de Janeiro: Bertrand Brasil, 2002. Trad. Maria Helena Kühner.
GOTLIB, Nádia Battella. Teoria do conto. São Paulo: Ática, 1990.
JORGE, Lídia. A noite das mulheres cantoras. São Paulo: Leya, 2012.
SARLO, Beatriz. Tempo passado: cultura da memória e guinada subjetiva. São Paulo: Companhia das Letras, 2007.
SIMAS-ALMEIDA, Leonor. Ecos de A Costa Dos Murmúrios em A Noite das Mulheres Cantoras, de Lídia Jorge: Esquecimento, Memória e Parábolas Sociais. Diacrítica, v. 31, n. 2, p. 137-155, 3 out. 2018. Disponível em: https://doi.org/10.21814/diacritica.235. Acesso em: 21 set. 2022. DOI: https://doi.org/10.21814/diacritica.235
ZUCOLO, Nicia Petreceli. A Ilusão Representada: Memória e inverdade em A Noite Das Mulheres Cantoras, de Lídia Jorge. ContraCorrente: Revista do Programa de Pós-Graduação Interdisciplinar em Ciências Humanas, [S.l.], n. 3, p. 195-198, maio 2017. ISSN 2525-4529.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Convergência Lusíada agree with the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC-BY-NC 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors may enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Revista Convergência Lusíada is licensed under a Creative Commons - Atribuição-NãoComercial 4.0 Internacional.
