A música e a marionete na comédia de Antônio José, o Judeu

Authors

  • Paulo Roberto Pereira Universidade Federal do Rio de Janeiro (UFRJ)

Keywords:

Eighteenth century, Baroque, New Christian, Musical theatre, Comic opera, Puppets, Marionettes

Abstract

This essay presents a general view of life and work of Antônio José da Silva, a New Christian (i.e., a convert), aka "The Jew", an 18th century playwright. It focuses on the contribution of its comic theatre as a satyrical criticism of the Baroque era. It inquires into the authorship of music and songs used in The Jew's operas within the cultural context of King D. João V rule. The essay stresses the resort to puppets and marionettes in popular plays by this Luso­Brazilian writer.

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Author Biography

Paulo Roberto Pereira , Universidade Federal do Rio de Janeiro (UFRJ)

Doutor pela UFRJ e professor da UFF. Organizou a edição fac-similar de Guerras do alecrim e manjerona e tem no prelo um livro sobre Antônio José da Silva.

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Published

2006-12-30

How to Cite

Roberto Pereira , P. (2006). A música e a marionete na comédia de Antônio José, o Judeu. Converência Lusíada, 20(22), 49–61. Retrieved from https://convergencia.emnuvens.com.br/rcl/article/view/649

Issue

Vol. 20 No. 22 (2006): Continuar, mudar, alcançar

Section

EFEMÉRIDES

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